#despite it being inconvenient for me
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showfallmediacameracrew · 1 year ago
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its my duty as the one in charge of this blog representing the company that i say you can send me questions. i will answer whatever you may be curious about in the company. or you can ask about my fellow employees. my superiors value interaction and participation from their customers!
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beatcroc · 2 months ago
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what kind of frivolity would you engage in, mecha?
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#mecha sonic#scrapnik mecha sonic#scrapnik island#sonic fanart#sonic fandom#arting#msab#good MORNING. i have given myself many emotions about mecha's big stupid cape. like a fool. such is the way i suppose#god ive been dying to get to this one. do you get it. do you understand#victories; if not on your own terms. achievements; if not the ones you thought you wanted. childhood dreams that never die.#which on that note yeah this is also my favorite one for showing eggman-era mecha as like#''yeah hes hes the most arrogant and murderous jackass on the planet but hes also like 17.''#& therefore kind of a lame little nerd by default. he thinks capes are sooooooo coool#we were all stupid kids once but sometimes u get older and u still wanna paint your house purple. and sometimes u still want a cool cape#it occurs to me that actual 17-year-olds may see this and to that i say: sorry. you guys are fine do ya thang.#its just that im 29 and have grey hair and shit so i have a certain Perspective on being 17 is all. & scrapnik mecha is like mid-30's to me#i knoooowwww he loves his big stupid cape so much. look at the refsheets with his dumbass spines poking holes through the the hood#tell me he has not made a COMMITMENT to wearing that hood despite being built in a way that makes that incredibly inconvenient#u look at nathalie fourdraine's christmas scrapniks post and tell me he isnt having so much fun#being all decorated and swishing around in that Even Bigger And Stupider Cape & shawl w/ his friends#hes so funny for that he's generally such a serious kinda character but on god he does also love some showmanship and flashiness.#i want to make it clear btw i also think capes are awesome i literally cosplay a guy with Two [2] capes.#& mecha is basically the coolest ever. but also hes still funny for that
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thatgirlonstage · 4 months ago
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You ever look at someone’s fandom playlist and know in your soul they looked at the title of a song and literally nothing else
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siilvan · 1 year ago
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i am once again disappointed but not surprised at the COD fandom only caring about “sensitivity” when it’s convenient for them
#telling people it’s morally wrong to simp for makarov#whilst simping for graves or valeria#or ANY character in this damn series#just shows that you only give a shit about ‘sensitivity’ when it doesn’t inconvenience you#‘but he’s bad :(’ my brother in christ. let’s talk about western militaries#price nikolai and gaz literally kidnapped and tortured an innocent woman and child#the UK and US militaries have DEVASTATED vulnerable countries#y’all wanna talk about sensitivity?? then acknowledge how even the ‘good’ characters like the 141 are shitty!#none of these characters are good people!#i cannot stress this enough. eliminating characters because they’re ‘problematic’ eliminates the entire cast. every single one of them.#MAYBE farah would be safe?? i’m not knowledgeable enough to say for certain. but everyone else— 141. los vaqueros. laswell. alex. nikolai. +#valeria. graves. every last warzone operator. EVERY single character is ‘off-limits’ with that logic.#COD fandom is also horribly racist despite pretending it’s not. notice how people only talk about this when it’s white folks being impacted#no one gave a shit when a middle eastern woman and child were kidnapped and tortured. or when fans were romanticizing cartel violence.#or how the SAS CIA and Delta Force have histories of terrorizing vulnerable people; especially in the middle east and asia#i’ve said it before and i’ll say it again before anyone accuses me of smth false:#sensitivity is important. it can co-exist with letting people enjoy problematic things. the source itself is problematic —#ergo. everything that comes from it (even the ‘good’ things) is as well.#you can’t cherry pick which characters people are allowed to be critical of. you can have your faves and have the ones you dislike#but don’t act like you’re doing something noble when your sensitivity is biased.#sylph.talks
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wispythreads · 8 months ago
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I don't trust North we disagree on literally almost everything why does me attempting to still be a civil human being with the basics of decency lock Markus and her into a romance what the heck
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kavehater · 4 months ago
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Chappel Roan saying she’s sad she’s demisexual and then there’s me being aroace as a whole like don’t you think I’m even more sad 😭
#not saying she’s not allowed to feel sad at all#just makes me think about myself LOL#I hate being aroace it’s like everyone’s part of a secret club I will never be a part of#and that people don’t tend to understand and if they do they never uphold that fact#like I actually have thrown up before from the concept of being in a relationship because it’s horrifying#and disgusting to me in a practical sense#like I don’t want to throw up every time I start thinking about those things I just want to be normal#and not panic like a relationship sounds like even worse than a death sentence#ppl think aroace is cute and problem free but it’s literally so uncomfortable and inconvenient when you’re in a world which a) doesn’t#understand wth aroace is b) doesn’t respect it at all c) has shit povs on what friendship is and how it can be more fulfilling than somethin#and d) how badly it impacts some ;-; like ik it sounds easy but try telling yourself omg I want to have a forever bestie#but then said forever bestie will never end up truly putting you first because they’d have a partner who will be their number one#and as usual you won’t even be second place you will be last like always#because I’ve noticed that the moment ppl get a partner suddenly they become their forever bestie role and then I can’t have that cause it#freaks me out and disgusts me all at once so I’m literally just cursed with forever feeling lonely and not meaning anywhere near as much to#someone who you wish could even look your way the way you do to them …#honestly by the day these reminders make me feel more and more aplatonic but it’ll simultaneously always feel like a hole in my heart#because apparently being aroace is like being some weird person and some freak#and not in the 𝒻𝓇ℯ𝒶𝓀𝓎 type of connotation LMAO I mean just plain freak#and then that loneliness will always accumulate and accumulate and accumulate until I physically cannot handle it anymore or I take matters#into my own hands and just off with her head to myself LMAO#dora daily#and that is why despite aroace being cool to me it’s just not placed in an environement which makes it cool#as those assholes tend to say oh meh meh meh you never struggled girl … we’re in the 21st century every person in the lgbt community is#living the life dating who they want and being with who they want#but allegedly it is but a crime I can’t like anyone and that nobody fucking listens to me when I say I have an attraction deficit#and that they take it upon their hands to define what I’m attracted to or head canon me as whatever they are#I swear I’m not even fucking worth that shit just leave me alone 😭#I promise like if I was with somebody they will regret the day they were born by being with me LOL I am not all that in fact me being aroace#is saving them from torture ☠️ anyways ! rant over :3
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thorntopieces · 3 months ago
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man
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earl-grey-love · 1 year ago
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Problem in paradise atm cus not only is my insomina kicking my ass lately, but I also keep having nightmares that involve my f/os 😰
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spevvy · 10 months ago
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The fact Joel is so SO excited about and committed to the meet & greet he's arranging in CDMX is honestly giving me so much life at the moment and giving me a bazillion more reasons to adore him (not that I needed any I'm already totally on board with his entire everything) cos like:
. He's posted about it at least a zillion times in the last 2 days—this little cupcake is SO HAPPY AT THE PROSPECT OF SEEING HIS FANS IT IS SO BLOODY SWEET I CANNOT
. The amount of polls he's made to make completely sure he gets to see as many people as possible at a time that's most convenient for them rather than just being like "yeah this is the date I'm giving you, it's in 8 months time, if you can't make it tough shit" like wow my guy genuinely and actively cares about every single person and is going out of his way to make sure he gets to see as many of his fans as earthly possible just because he loves them like holy shit folks I cannot think of any other artist who would do this and put so much effort into making it a great experience for everyone. He's a goddam angel.
. It's literally next week. He's arranged it, he's doing it, it's all happening immediately, HE CANNOT WAIT, go and meet him if it's at all possible. ISTFG if I had the funds and a valid passport I would be on the next flight out to Mexico in a goddam muthaflippin HEARTBEAT.
. THE GODDAM PRICE. IT'S FIFTEEN QUID TO MEET **AND HUG** JOEL FRICKIN PIMENTEL BLOODY DE GOSHDARNED LEÓN. And just look at him, you just KNOW he would give the best softest warmest hugs of all time. You just KNOW.
. THE FACT HE SOUNDED GENUINELY APOLOGETIC FOR HAVING TO CHARGE FOR TICKETS . I REPEAT. HE'S CHARGING **FIFTEEN QUID**.
. "FOTO Y ABRAZO GARANTIZADO" — I swear my heart melted into nothing. When there are so many celebrities that do M&Gs but they're so goddam arsey about it, like they're too good for it, and they have all these rules about having to stand a certain distance away or not being allowed to even touch them, like their fans are full of The Pestilence™ or something. Yet, here's one-fifth of the most successful Latino pop group of the century lit-er-a-lee going "IDGAF WHO YOU ARE, IF YOU ARE AT MY MEET AND GREET YOU WILL BE **HUGGED** GODDAMMIT!!!" Just. Ugh. How. Incredible scenes here in the De León fandom. I'm living for it.
. The way he keeps on reiterating how excited he is about this, how much he misses his fans, how he can't wait to see everyone. I mean Jesus Christ, there's no way in the world I could go, there's no way I even really get to call myself a fan compared to everyone who's adored him and supported him for the last 8 years, nothing about this is For Me™—and yet the way his excitement about getting to spend time in person with his fans again is just so pure and real and MASSIVELY contagious.... It's really making me feel so loved and appreciated by proxy. I don't deserve this happiness that I'm not even directly experiencing!!
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*sobs uncontrollably in Fangirl*
I hope so so so much that the whole event is a massive success and everyone has the greatest night and he gets back every single ounce of the love he's giving out, multiplied to the power of a bazillion—because honestly him and his fans genuinely deserve this, it's absolutely beautiful. He's such an absolute sweetheart and I just want soooooooooooooooooo many good things to happen for him, I can't wait to find out how it all goes. I can't even begin to tell you how much joy it's bringing me just thinking about how happy it's gonna make so many people, especially him.
I just have a LOT of feelings about this, okay???? A LOT.
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^^^^^ actual footage of my entire reaction
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wizardlyghost · 2 years ago
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yknow i think i would maybe have had an easier time in life if i had been a little less autistic :/
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britneyshakespeare · 1 year ago
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might fuck around and buy my friend a copy of the riverside shakespeare (1973) for his birthday
side note it astonishes me that ppl are selling this book for between $50 to $100 secondhand in some places. you can get it for under 10 bucks at so many online retailers. it's a fifty-year-old tome that was commonly used as a college textbook, there are so many fuckin copies still floating around out there and most of them on the market are in the acceptable-to-good category of condition. how could one you have be worth much more than that? is yours in extra special superb condition? what?
do ppl just think everything vintage is valuable... bc oftentimes it just isn't
#idk#tales from diana#i just figure as a book my copy has meant a lot to me#like it is no exaggeration at all for me to say the riverside shakespeare changed my life#changed my reading habits changed my relationship to art#despite being such an unwieldy inconveniently gigantic and uncomfortable physical object to read from#i still have read uhhhh like 17 plays in there and a number of the poems.#not to mention all the supplementary materials like introductions and historical essays#if 5 years ago my grandmother didn't let me take home my aunt's old college textbook i cant imagine my life now i genuinely cant#i already did read shakespeare at that time but i had read so few. i didnt know how to continue. whether to keep buying copies#going to libraries etc#i never wouldve bought myself the complete works at that age i had no money#if i HAD bought myself smth i mightve gone for that b&n coffeetable book w no fucking supplementary material at all#that thing is a waste of paper btw ive probably said that before#that thing was not made to actually read shakespeare from but it's made to look like a good deal for beginners#FUCK THAT THING i mean i suppose it's not crazy expensive but it's not HELPFUL#anyone would be discouraged trying to read from that by themselves#anyway this friend also already does like shakespeare and stuff we talk about it sometimes. he took a class at one point in college#but i dont think he owns the complete works. i texted his gf asking him if he still has his textbook from that class#i dont think he does bc i know him to have rented textbooks most of the time buuuuut#just checking#im excited teehee#itd be a nice personal gift. i love mine not just for the wealth of interest it's brought me but the personal attachment to my copy#id like to have that kind of bond through an object w someone else.#plus it's just a nice thing to have around the house#it sat in my grandmother's house as a pretty untouched object for more than 40 years#it sparks curiosity. it's wonderful. it's a great reference. it holds the complete works of shakespeare!#yeah im excited about this
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ziracona · 2 years ago
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I’ve spent my whole life having people from strangers to acquaintances to friends to family tell me in some way or other I’m a bad person, or being bad, for caring actively about a bunch of minority stuff. I have not ever thought of it that was before, but putting it into perspective yesterday. I have. All the ‘Why can’t you just not engage. They’re family—ignore what they say and change the subject.’ ‘You’re so self-righteous, overbearing, judgemental, critical, harsh, overemotional—why can’t you be unselfish and keep it to yourself?’ ‘If it really mattered more people would complain’ ‘people today care about everything so much they’re too sensitive—why can’t you keep quiet or nod instead of arguing with me? Just let it go.’ Even from ‘liberal’ friends I get ‘I know it’s racist but it’s not a big deal. Quit spoiling people’s fun by talking about flaws with things. People want to have a good time and they’re already sad and tired’ ‘quit making people feel bad for liking bigoted things by talking about the bigotry. It’s selfish and prudish.’
And hearing on the same day a bunch of native people at a creatives meetup lost it & went ‘They did WHAT?’ hearing about the bullshit ND startup game I walked out on for anti-native racism, and my poc doctor say ‘Oh yeah that was the right call. Tbh I don’t even understand why you feel guilty and worry maybe you did not find the best or kindest way to handle it.’ Talking about my experiences with deteriorating relationships over bigotry with some family members, was a really changing experience. Obviously this is and can only be said from a place of extreme personal privilege, and I’m very aware of that, but it was both surreal and nice (and to my shredded mental state I think, necessary) to hear people I’ve stuck up for when they’re not there say it was right and mattered that I did actually, and I’m not somehow a bad person for it.
#I’ve always been like ‘you’re wrong it’s the right thing to do’ and refused to change bc I can’t change for a reason except I think I’d be#better some other way. but along the way I must have internalized ‘yet somehow I’m doing the right thing wrong because so many people have#accused me of being evil for doing it and there must be truth to numbers’ because I absolutely do feel like shit despite knowing I do the#right thing. and until talking w my shrink I had not even really realized this is a major recurring life motif for me. it super is though#and idk what to do about it. but at least it’s nice to have some reassurance too. emotionally speaking#it’s always been a ‘I have to act and care though if I don’t or quit the second it’s hard or unpleasant or personal it’s performative’ and I#have always known that’s true but the ‘actually you refusing to quit the second it’s personal or inconveniences someone makes you a piece of#shit’ I’ve gotten from everyone from strangers to a best friend has left way more of a chest wound than I realized#R Internal Stuff#unrelated but despite my personal feelings of disgust for a lot of therapists bc the field is saturated w bad people and in general they#charge way too much I do think my shrink should get to charge whatever she wants to hear me talk about feeling any conflicted feelings#towards a racist family member and also drop me as a patient if she wants#I’m so sorry Miss N I didn’t not mean for it to come up as a subject and will try to see it never does again
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svsorov · 5 months ago
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unfortunately i do fundamentally want to be kind
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the-rainbow-of-doom · 10 months ago
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wishingprince · 1 year ago
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GOT A NICE SURPRISE WITH THE FREE SCOUT TODAY!!!! Leo’s second FS came home!!!!! 😭😭😭😭😭😭
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multimilfs · 1 month ago
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Agatha Harkness x Fem!Reader x Rio Vidal: The Prize
Summary: Agatha has been fighting to reclaim her prize from Rio for a long time.
AO3
Included: dark themes, lesbian drama & yearning, near-death experiences, smut; biting, orgasm denial, praise kink, degradation, s&m, blood, fingering, cunnilingus, use of pet names, begging
Words: 9.7k
Tag List: @multifandomfix @ghostsunderstoodmysoul @escapetodreamworld @white--lillies @imtrashinflames
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1750
Glowing hands press over the seeping wound, magic swirling around them, diving inside. There’s no satisfaction of watching the flesh knit itself back together. Instead, your magic drifts right back out like smoke. 
Oh Goddess. 
“Do take your time.��� Agatha snaps, voice strained, “I have absolutely no plans.” 
Five types of poison are immune to tangible magic. You know antidotes for three. Staring hard at the wound, you look for the blackened edges consistent with Nightrot, finding the flesh as red and irritated as to be expected. Is it swelling or screaming that goes with Alewife’s Revenge? A glance up at her face finds it normal. Her lips are pursed. 
Your hands shake, one hovering over the open wound in her middle, the other clutching your head. Remembering has never mattered more so why is your mind empty? Pieces of information slip through your fingers like sand. Dozens of cadavers, hundreds of hours of study; useless. 
Unable to rely on your memory, you scramble across the floor for the dagger that’d flown from the wall. The little light coming from the boarded windows prompts the metal to glint. The edge of the blade is sticky with blood, beneath it a metallic sheen that can only be a witches poison. You hold it up to the slant of light to see the color. 
“Are you out of your mind? Heal me!” 
You drop the dagger the second the poison glints purple. You slap your hand over your mouth, panic beginning to course through your veins; the body’s own special brand of poison. 
How are you going to tell her?
“I’m trying!” You snap, voice breaking. 
It’s a cruel joke that the poison should be so well matched to the witch bearing its effects. You stare at the edge as it rocks from being dropped, your stomach turning when the color doesn’t change. If only you could be wrong this once. 
Were you a lesser witch, you’d curl in a little ball and quail under the weight of your failures. The idea is seductive. Yet, you turn to Agatha where she lies, pale and sweating on the floorboards. The pallor of her skin makes you whimper. 
“Agatha,” You start, your voice holding just enough, “it’s Saura’s Dread.” 
Things click into place behind her eyes despite the glazed-over look to them. She fights to find a way out of this, but you know well that the reality cannot be avoided. 
“Give it to me. You’re wrong.” 
“I know poisons better than most.” You hand the dagger over anyway. 
“That’s not saying much.” 
The comment stings, but you let it slide off you. You cannot give into petty squabbles now. With so little time to find a solution, you have to focus. 
She stares hard at the blade as if willing it to change. 
“Brew the antidote.” 
“I can’t.” You whisper. 
There’s a flicker of something in her gaze that looks suspiciously like rage. Your own internal fire leaps to meet it; of all the emotions to look upon you with—rage? As if this is your fault? You’re not the one that dragged her into this old cabin, intent on sifting through the contents. 
It’s not your fault. You know that as the truth. Yet, shame floods you. 
“You’re a healer.” Agatha spits, “What good are you if you don’t know the antidote?” 
“Someone didn’t let me stay with my coven long enough to learn it!” 
“The next time someone tries to keep you from me, I’ll let them.” 
The fire in your chest ebbs. An old argument at an inconvenient time. There will be no rough makeup sex following this argument, no unspoken apologies in Agatha’s kisses. All the time, all the bodies; they cannot be for nothing. They mean too much. 
Fleetingly, you feel pity for your old coven. In their minds they had attempted to do the right thing. Keeping you from Agatha must have seemed reasonable. But you remember how many bodies they made, how pleased it made Her. 
Saura’s Dread takes its victim within six hours. This, you know confidently. The demise is slow and painful, a poison intended for torture. You can’t stand to see Agatha in this kind of pain. You’re not ready for her to be just another body.
“I’m calling Her.” You say. 
“No.” Agatha counters, “She’ll never let me live it down.” 
“You won’t live down anything if you’re dead, Agatha.” 
“I won’t die.” 
She’s an idiot. 
Magic flowing into your fingertips, you trace familiar symbols on the floor. They glow bright and then dim as they wait. Around your neck sits an old, jagged bone, tied by a thread; you use the end of said bone to split your palm and drip blood over the symbols. 
Agatha’s mouth is moving, but you don’t listen. You mutter the incantation in latin under your breath. The words—old and comforting—curl your tongue in ways that you’ve only known between two pairs of legs. You end the incantation with the key that gets you around the waiting list; Her name, Her true name. 
There’s a blinding flash of light and a puff of fog, but the symbols contain it. You catch the glint of white teeth. 
“You rang?” 
Rio smiles, clad in darkness and bone and that same beauty that always stops you in your tracks. Upon seeing her, you breathe easier.
“We need your help.” 
“You wouldn’t have called so formally if it was quality time you wanted.” Amusement dances in her eyes. 
She eyes the symbols on the floor. They no longer glow, but still they contain her. She scuffs a foot along them. 
You smudge the symbols and the containment drops. Stepping over the magic as it sinks down into the earth, she catches you by the waist and devours you; lips and teeth and tongue dominating your own, leaving you helpless to do anything but give in. And you’re all too willing to do so. 
When she pulls back, you’re breathless. Somewhere in the fray your lip has begun to bleed. Rio soothes her tongue over the wound and you feel it close. 
“Hand.” 
You offer the demanded appendage, palm up. She places a kiss in the center and licks the blood from her lips. 
Rio turns her head to where Agatha has dragged herself to sit against the wall. The rise and fall of her chest is slow, but there. She glares at the two of you. You flush while Rio grins. 
“Hi, sweetheart. You look like shit.” Rio says, delighted. 
“A side effect.” Agatha grits out, “The same can’t be said for you.” 
Rio tilts her head back and laughs. It’s deep and rich and fills you with thoughts that are not appropriate for this situation. The hand on your waist squeezes as if she knows. Then, she releases you. 
She crosses to crouch before Agatha, devious smile shifting to something softer. One of her hands works through a lock of Agatha’s hair, brushing it out of her face. 
“What did you get yourself into?” 
Agatha’s eyes drop to Rio’s lips, but she stays silent. 
“Saura’s Dread.” You choke out, shame winding itself tight inside you, “I don’t—I can’t brew the antidote.” 
You should have done more to push off Agatha’s agenda; just so you would have finished your research. A few extra days wouldn’t have hurt. They would’ve infuriated Agatha—and Rio by extension—but then you would know the solution instead of watching her slowly wither away. 
Rio doesn’t look away from Agatha, but you know the soothing tone is for you, “It’s okay.” 
Something passes between the two that you miss. One moment, Rio holds Agatha’s face in her hand, while Agatha—hesitantly—leans into the contact. The next Rio is standing between the two of you, toying with her knife, all business. 
You feel a chill pass through you at the unfamiliar territory; staring into Rio’s eyes and finding the affection buried away. It stings more than knowing how you’ve failed. 
“You’re asking me for life in a bottle.” Rio says, grinning, “What do I get in return?”
Short of knowing that Rio would fix it should you ask, you find yourself shamefully bereft of anything with value. You search the space for anything to bargain with. Agatha’s eyes should be looking at you with knowing, but her gaze doesn’t leave Rio. 
When Agatha tilts her head and grins, turning on the bedroom eyes, you pause. 
“What you’ve wanted for years.” Agatha says, “Brew me a little potion and you can have her all to yourself.” 
Rio’s brows shoot sky high. You tilt your head, then freeze. It’s you. Agatha’s bargaining you.
There should be a sweetness in knowing you’re the only thing of value she has to offer, yet the taste is sour on your tongue. The words feel like a punishment, a reprimand—and not the kind you’ve begged at her feet for. That awful part of you would rather Agatha die than ever willingly give you up and Rio eyes you as if she knows it. Does it please her to know how they’ve twisted you?
One mistake, you think bitterly, and Agatha throws in the towel. Despite all the near-death experiences you’ve endured at her side. Despite the years you’ve spent together. You never expected a punishment of this proportion. 
You bite your tongue. At your sides, your fists clench and unclench. They glow with the anger you can’t keep hidden. 
Pride rears its unhelpful head and you speak before you can stop to think, “My life for Agatha’s.” 
Rio’s full attention is on you, then. Her eyes are bright. 
You speak directly to her, “I’m bound to you and The Road until such time as Agatha traverses it to collect me.” 
Had you not been so focused on Rio, you would have noticed Agatha flinch at your suggestion. Her wide, glassy eyes stare at you. You do not give her the satisfaction of your attention. If she is going to be cruel, so can you. 
Your terms are a challenge; and Agatha doesn’t turn down a challenge. 
Her devious, wicked mask clicks back into place. Rio’s expression is pensive. Despite the poison working through her system, Agatha almost looks as powerful as her best day. 
“You’d let me steal her away, O Death?” Agatha teases. 
The comment is salt in your open wound. You glare, wishing more than anything that you could wrap your hands around her pretty neck and squeeze. You want her not only to beg—but to apologize. 
But Rio’s eyes haven’t left you for a second. 
“Alright, sweetheart.” Rio says, “Your life, bound to mine, until Agatha comes to get you.” 
In it you understand the desire you both share; to have Agatha, one way or another. You wonder if the desire for possession is your own or something you’ve learned from her. 
From her pocket comes a small glass vial. She tosses it to Agatha, who only barely catches it. She cradles it like something precious. 
“Drink up.” Rio orders. 
Then Rio is there, arm around your waist, holding all your pieces together. You lean into her comfort as color returns to Agatha’s cheeks. 
“Te veo.” 
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1754
“She waits for you.”
Agatha whips around, purple crackling at her fingertips. At the edge of the clearing, Rio leans her weight against a gnarled tree, eyeing the withered husks of once-witches in the grass with interest. She looks almost predatory. 
“Does she?” 
Rio nods, eyes shifting to Agatha, “Like a puppy. It’s almost pathetic.” 
It is pathetic, is what she should say. Time and affection have curbed her tongue on this small thing at least. On you. Agatha’s smile is knowing. 
Rio has pulled her punches toward you since the beginning. Agatha’s never minded. It’s almost sweet watching the oldest force in the multiverse tiptoe around a witch barely into her second century. Is it that craving for ancient knowledge in your veins that renders Rio down, or is it simply your pretty face? 
Does it matter? 
“I don’t have what I need yet.” Agatha rolls her eyes, “Witches these days don’t have the power they used to.” 
“Or maybe you’re leveling the population before they have time to strengthen.” Rio raises a brow. 
Agatha thinks, deliberately dramatic, then shrugs, “No, that’s not it.” 
With a shake of her head, Rio steps out from the treeline, and closes the distance across the clearing. Agatha watches every step with dark eyes. The stench of death and magic sends a chill down Rio’s spine; there’s nothing more delicious than a life snuffed out. 
The wind slows in the trees as if sensing her. Birds silence their sweet tunes. There is frantic rustling in the trees somewhere as creatures do all they can to get away. 
Yet Agatha stands, waiting, and allows Death to pull her into her embrace. 
One of Rio’s great loves is watching skin split so she can lap up the blood at her own pace. Yet, when her hands settle on Agatha’s hips, they’re gentle. She doesn’t open wounds with her teeth. Rather, she moves her lips over Agatha’s until she can’t breathe. Agatha is wary when she pulls back. 
Rio shrugs, “A message from her.” 
“I see. Forgiven me, has she?” A slow, taunting grin, “Anything from you?” 
“Have you earned it?” 
“These bodies didn’t make themselves.”
A tilt of her head, as if considering, “Maybe you’ve earned something small, then.” 
And they meet in a clash of lips and teeth. Rio’s hands are everywhere, leaving behind deep claw marks that make Agatha moan into her mouth. Agatha’s own nails pierce through cloth and skin at her hips but draw no blood. She tries to push Rio backward toward one of the trees, she just needs a little leverage and Rio’s thigh to—
Rio pulls back. She grins something wicked at the flash of Agatha’s purple.
“Something small.”
Agatha makes a face, batting her lashes. Rio doesn’t give in. 
“You’re awful.”
“You love it.” Rio says, then her face takes on something more serious, “Don’t keep her waiting, Agatha.”
Then she’s gone as if she was never there; the only evidence being the bleeding marks on her skin. Agatha stares at where she stood for a long time before moving on.
--
1801
The Road changes, you’ve seen, as the covens come along. Small cottages, ancient ruins—the most interesting was an old system of catacombs, though it lacked the remains you’d been intent on studying.
Your favorite, though, is the bower, absent of any illusions or spells.
Beneath a canopy of purple leaves upon a seat of grass, you watch the events unfold from afar. An old curved trunk sits at your back keeping you upright. The animals—lost familiars, mostly—wander up to you here, nibbling at fallen leaves and taking up residence in your lap.
From outside it could be mistaken for a simple tree. Yet, beneath it, the world is at your fingertips. The position of your place presents the underside of millions of glowing leaves to your view; lives, Rio said, witch and non-witch alike.
You find the one you love best among the foliage. You trace your finger down the purple veins, hoping she feels you, thinks of you, misses you. The veins seem to glow a little brighter at your touch.
Rio doesn’t enjoy you toying with them; worried a wrong move on your part will take a life too soon, upsetting the greater balance she’s beholden to. But she taught you how to handle Agatha’s. Trace, never prod. Caress, but never pluck.
A black cat settles in your lap and you sit straighter.
Soothing a hand down her back, she purrs. Her little body presses against your stomach and basks in your warmth.
“You really are too predictable.” Rio says.
She stands a few feet away, clad in dirt and muck, yet still beautiful. Always beautiful.
“I like it here. It’s comforting.”
“You like being close to Agatha.” She corrects.
The leaf in question glows brighter as if sensing the mention. You trace a finger along the edge, willing all your love into it.
“This is all I have of her.” You admit.
Something like softness creeps into Rio’s face. As soon as it appears, it recedes. She joins you under the canopy. The cat in your lap startles and leaps from your lap, darting back into the underbrush.
You had never thought to secure some token of Agatha’s, then. Now, with nothing of her’s to hold close, you settle for her life-line, begging it to tell you her whereabouts and if she’s safe; it is always silent. Rio is, too. She doesn’t mention much when you ask, though you know she knows the actions of every life tied to her.
The Road is a wonderful home. Rio is an attentive partner. But you ache, still, for the other set of hands you knew; those who were predictable in their firmness, balancing the sudden changes of Rio’s own.
“You’re crying.” Rio says.
Her face is dark, but fury lingers around the edges. Something like worry flutters in and out of her eyes. You have nothing to say, so you only nod.
Then you’re in her lap. Rio’s bunching up your dress to your waist, canines embedded in your neck. Her nails dig into your hips and the blood warms you. You whimper.
Lips kiss down your neck while a hand hovers between your legs. You bear down, desperate for any friction to dull the ache. And she gives it to you. Her hand is exactly where you want it, fingers rubbing and pressing, and you grind your hips hard, harder until you’re right there.
And then her hand is gone.
You whine. Your hips move of their own volition, searching for that pressure to send you right over the edge. Rio’s lips catch your own in a bruising kiss and you whimper into her mouth.
Needy, desperate, you can almost hear her say.
But when she pulls away and digs her nails in harder, she whispers, “Cry for me, sweetheart.”
She alternates between giving you what you crave and rescinding it for hours. You whimper, moan, and beg. She laughs and repeats herself—cry for me. You lose count of how many almost-orgasms tighten your body just to go unfulfilled. You do cry. You sob and she’s there, tongue licking up your tears and knuckle deep inside you, thumbing over your clit until you have what you want.
You’re not sure how long you lay there, after, crying against her.
--
1833
Rio’s arm is warm where you’re wrapped around it. She leads you through the winding stone streets, around grand buildings with stained-glass windows. Some of the scenes depicted in the glass are beautiful, simple; but the majority are Catholic in nature, dripping with sadness and guilt. You shake your head.
Passersby nod or tilt their hats, but don’t seem to see you. Their eyes go especially glassy when they look at Rio.
Whereas you’re clad in a dress of rich layered fabric, Rio has opted for more masculine attire. The low heels of her dress shoes click upon the stone. The unwrinkled fabric of her suit smells of smoke.
Your heels don’t quite agree with the stone. After the fifth time of a near-twisted ankle, you huff, “Could I not have worn flat shoes?”
“The heels compliment your legs.”
“You can’t even see them.”
“Yet.” She winks.
You roll your eyes, ignoring the heat suffusing your cheeks. Another nod to a passing couple and Rio makes a sharp turn. You’re led into a damp, dim alleyway.
The ground is made from rough slabs of uneven stone. You curse when your heel slips and only Rio’s strength keeps you standing. Water slides down the walls on either side, thick moss growing in the cracks. You reach out to feel it only for your hand to come away red.
If not for Rio pulling you along, you’d have screamed. Blood cascades down the walls. From it grow dark, twisted plants you’ve studied beside The Road. Beneath the plants and out of them come bones; most have yellowed with age, but there is the occasional bright-white specimen.
Surprise aside, you lean toward the bones with interest. Still, Rio presses on.
The alleyway is growing slimmer by the second. Should it continue to do so, you’ll be forced to walk behind Rio, and the thought makes you tense.
Rio squeezes your hand, “Relax, sweetheart.”
“I’d relax more if I knew what we were doing here.”
“Where’s the fun in that?”
Before you’re forced to walk single-file, you come to the end. Rio traces a counter-sigil upon the stone. With a shudder, a door is revealed. Above the silver knocker, embedded in the door, sits an unblinking eyeball. The blue pierces you.
Rio pulls and slams the knocker. The eyeball falls from the door and hits the ground with a sickening pop. You nearly shriek while Rio makes noises of delight.
“Ooh,” She chuckles, “we’re not the first to arrive.”
You try not to think about what the eye must look like now, “Can I go home?”
“Why so squeamish all of a sudden? You handle the cadavers I bring you just fine.”
“That’s different. That’s research.”
“Who says this isn’t, sweetheart?”
The door opens soundlessly. Inside, the scene is much the same; another dark, slim space, though notably absent of plants and body parts. The owner of this place must be allergic to candles, the lighting situation is just pathetic.
Rio waits. When you make no move to walk inside, she sighs, nudging you with a hand on your lower back, “Ladies first.”
You’re not sure if being first or last is the worst. If anything is to jump from the walls now, you’ll take the brunt of it; you’re reminded of that day with Agatha all those years ago. Rio’s warmth at your back offers the strength you need to continue. Though, you do cling to her hand the whole way.
The hallway empties into a full room. Dark shelves match the height of the walls, on them jars full of ingredients. There are tables boasting dozens of drawers, though none sit open. Glasses and tools and cauldrons line the tabletops. In the center of it all are two figures; well, one figure and one corpse.
You can’t catch your breath. She’s as beautiful as the day you lost her.
“Agatha.” You whisper.
Agatha turns and smirks. She doesn’t look nearly as surprised to see you as you do her. Upon seeing you, her expression softens, eyes full of affection and longing. It hardens a bit when she glances behind you.
“You ruined the surprise.” Rio says, arms crossed, though one motions to the corpse, “We needed her.”
“What could you possibly need with a poison witch?”
“Our darling healer wanted to study with her.”
Something like regret turns Agatha’s face when she regards you. With a wave, she produces a thick book full of yellowing pages. You tilt your head when she offers it to you.
“Her life’s work. I’m sure there’s more here somewhere.” Agatha shrugs.
You take it and hold it to your chest reverently. All this time you thought Rio was putting you off about finding a competent poison witch and yet here you are, standing in her apothecary. She lies dead on the floor but you couldn’t care less when the real gift stands before you.
You long for her. You ache to feel the gentle caress of her hands on your face, the threat of her nails on your scalp.
A look at Rio tells you she isn’t entirely pleased with the turn of events. Yet when she sees your excitement some of her ire dissipates. The yearning in your eyes must be plain, since she gives you a single nod.
Book of poisons tossed onto the tabletop, you throw yourself into Agatha’s arms. She’s as steady as you remember. Her hand grips your chin and forces your lips to hers. Her hands are predictably firm wherever they land. She grips you as if afraid you’ll slip away. But her kiss, oh gods her kiss; soft lips and taunting, sharp tongue. The length of her body pressed against your own and so warm.
There are hands in your hair and this is all you’ve wanted—all you’ve craved for years. Why, then, do you feel the urge to cry? To rip the heart from your chest and banish it to where it won’t hurt?
Agatha is warm and steady. You bury your face in her neck and her in yours. Your hands shake with the force of clinging to her.
The feeling is bliss. Yet, it isn’t complete.
You glance over Agatha’s shoulder to Rio. She stands in the doorway, watching the scene with dark-eyed interest; but there’s a weariness in the set of her shoulders.
“Beloved.” You call, holding one of your hands out to her.
Rio raises a brow. Her eyes don’t stray from your outstretched hand.
“This is your gift, sweetheart.”
“And it’s incomplete without you.”
Her eyes stray to Agatha, who has taken to watching her, too. This time, Agatha’s eyes don’t harden. They maintain that soft look you melt for.
Agatha extends her own hand alongside yours.
“Come on.” Agatha urges, soft.
You watch the resolve break moments before she wedges her way into your embrace. Her fingers lace through yours, but her face is pressed into Agatha’s neck. She pushes and nuzzles like she wants to become part of her. It reminds you of the cat that visits the bower—Ebony—but you don’t dare say so.
Agatha’s hands leave you to caress Rio’s face. A thumb rubs along her cheekbone. You press yourself against Rio’s back, unable to glimpse her face but sure of the longing in her expression.
In a perfect world, there would be no separation between the three of you. No clothes, no emotional barriers, not even flesh to keep your hearts from mingling into one. You settle for Rio’s hand in your own and Agatha’s blue eyes locked on you.
You lean over Rio’s shoulder and kiss Agatha, your free hand fumbling with getting into the former’s pants. She chuckles darkly in your ear. It ignites a spark in your chest; a dangerous longing for this to remain, to be always. You try to push it away and focus on how Rio moans in your ear instead.
--
1869
“Will you walk with me?”
Rio nods, smiles grandly, “Of course.”
You laugh. She holds out her arm, ever the picture of a gentleman, but you lace your fingers through hers instead.
As a rare treat, you lead. You pull her along the road. The leaves change beneath your feet, from silver and black to the hues of autumn and then to pure green. The Road opens its arms into a clearing bathed in the color. Only the stone building in the center stands apart.
Upon your approach, flowers grow in the flattened grass where you step; honeysuckle and heliotrope, baby’s breath and red chrysanthemum. Rio glances over her shoulder as the blooms spring forth.
Ivy grows up the walls of the building. You brush a gentle hand over the leaves.
Crumbling, worn headstones en masse wait behind the building. 
Rio tilts her head, “What is this?”
The door is unlocked. You knew it would be. The Road cannot keep you from this place. 
Inside is warm and hazy. Papers with elegant scrawl cover every surface, books half-open litter any free spaces. Shelves line the walls, jars bearing various specimens. Plush couches overflow with deep, red cushions, begging you to sit and stay. A fire cracks in the fireplace.
Rio turns this way and that. She wanders around the room, flipping through books. A fingernail taps against a jar full of eyes. An errant paper is plucked from where it sits haphazardly atop the mantle. She stops.
You know the paper the second she comes into contact with it; can remember the way you wax poetic about how beautiful she is, how safe you feel in her arms. She picks another, then another, so on, and you know every word the second she touches them; the way she unwinds in Agatha’s arms, her face twisted in perfect fury, the lightless turn of her eyes when she teeters on the edge of wickedness.
She looks at you, vulnerable and unsure, “What is this?”
“My heart.”
“That… then why is all of this here?”
Her hand shakes the papers for emphasis. You resist the urge to laugh, lest she think you’re making light of her. Death can be cruel, but you try not to be.
You step close. Gently, the papers are extracted and returned to their places. Rio stares and hardly breathes as you take your face in her hands.
“You pulled away after that night.” You whisper, finger tracing her cupids-bow, “Do you think I touch you only because it is convenient?”
Rio’s lip curls. Fists bunch at her side, crackling with green light. You feel the rumble of her anger working through her chest. She tries to pull from your hold, but you don’t let her.
“Do you think I kiss you and pretend it’s her?”
Rio snarls, “I will kill you if you don’t stop talking.”
You smile. The threat is a real one, but you don’t fear it; the outcome is remaining by her side. With one hand you reach and pull one of her fists between you. You unravel it, trying not to flinch against the bursts of power over her skin. You press the palm of her hand over where your heart resides inside your chest.
The snarl fades just so. Fury still lingers in her eyes. You press your hand over hers and will her to see, to know.
“Look at the walls.” You order.
Upon the walls, plain and dark, shimmering scrawl appears. Agatha Harkness, it reads in shaky lettering; like a name carved into a tree. One signature turns into ten and ten into countless. Purple and shimmering is Agatha’s brand upon you. Rio yanks and reaches for the dagger she keeps handy.
Rio’s true name appears in shimmering green letters, then. Same as Agatha’s, there are countless signatures. They conjoin and overlap until the walls of your heart look like nothing more than a child’s colorful scribbles.
She stares at the walls in disbelief. The knife in her hand clatters to the ground.
“I’ve carved your names upon my heart so I’ll never forget who it belongs to.” You whisper.
“Sweetheart…”
You bend and collect her blade, pressing it into her hand, “Now do it yourself.”
Her hand wraps around the handle reflexively. Rio’s hand doesn’t leave the spot over your heart, feeling the steady, truthful beat.
“It’ll hurt you.” Rio says. She doesn’t bother hiding the desire in her voice.
You urge, “Make me hurt.”
Each artful stroke of her blade is slow. You whimper, but grip her wrist and push the blade deeper into your flesh. She scoffs when tears flood your eyes. The tears run down your cheeks while you smile, filled with bliss and ache in equal measure.
It’s a gift to love so deeply it wounds you. You never want her to stop; who, aside from your shared scar, holds such power? Who else in the world could touch your heart truly enough to carve into it?
There’s delight in her every movement. She consumes the pain of millions and yet, none of it is of her own making. She can only relish in what others have done; torture for a being who remains eternally intimate with the greatest methods of drawing out agony. Death has no free will but that you offer her—and she takes what none else would give, ravenously.
Is it enough?
Not forever, something tells you, you think it might be her, but for now.
--
1925 
“You called?” Rio asks. 
“If I didn’t know any better I’d say you’re avoiding me.” 
Agatha leans against the wall beside a small window. The pane has been slid upward, letting in the sounds of the city below, releasing the smoke of Agatha’s cigarette into the air outside. 
The cigarette is clutched in gloved hands. Her expression is amused as she draws in and releases the smoke, watching it form the shapes she wills. Though it has no effect on such a witch, Rio admires the object’s capability of bringing Agatha infinitesimally closer to her. 
“We’ve been busy.” 
“Busy or not, I’d say twelve bodies earns me a visit. And with the bulk of good booze I just removed from the market, I’d say I’ve earned a little more.” 
An obvious lure with paltry bait, still Rio bites, “What do you have in mind?”
“Let me see her.” 
She should. You’ve come to accept Agatha’s absence in your life, but she sees how much time you spend in the bower, and how you flinch when her name comes up. Rio hadn’t expected the frequency of Agatha’s name on the lips of covens walking the road to be so overwhelming, but it always drives you right into her arms; that she will relish. 
But Death is not giving. She takes. Taking is, in fact, her favorite hobby. Twelve bodies is not enough to make up for the haunted look in your eyes. She wants more—will have it. Agatha has to earn you. 
“I’ll need a little more from you.” Rio drawls. 
“Do you have any idea how hard it is to kill that many witches here with the nightlife?” Agatha throws her hands up. Ash flies from the forgotten cigarette. 
The sounds of Chicago seem to grow louder, as if to aid her point. Rio grins. She crosses the small space and takes the cigarette, snuffing it out on the back of Agatha’s hand. The action prompts a quiet moan. 
“It shouldn’t be a problem. What I want, you have an abundance of.” Rio’s smile widens as she manipulates Agatha’s hand, removing the glove, pushing and prodding until purple flashes along the flesh. 
A cooling breeze sneaks in the window and rustles the fringe along Agatha’s dress. It’s a beautiful thing, short and decadent. Rio knows you’ve enjoyed the few sightings of the period fashion you’ve glimpsed, but like her, you’d enjoy this specific dress in a pile on the floor. 
Agatha’s eyes stare at where Rio’s flesh meets her own. Her eyes are contemplative, calculating. She hesitates. And that is her fatal mistake. 
Rio throws her across the room with a shove. Agatha’s side hits one of the walls and she falls, face-first, onto the mattress she’s been sleeping on. The springs shriek at the sudden weight. Agatha snarls, throwing out a blast of purple that slams into Rio’s chest. Rio moans something filthy. 
There’s a brief struggle where Rio does her best to keep Agatha pinned; to the bed, to the wall, wherever there’s a surface. Yet Agatha is slippery. Her magic whisks her right out of the hold Rio puts her in and wherever Agatha wills it; which currently, is behind the other witch so Agatha can kick the back of her knees. Rio kneels not of her own volition. 
She braces to stand, only to find the blade of her own dagger at her throat. 
Rio’s gaze has lost any warmth. Her affection is buried deep, beneath layers and layers of earth she craves to bury Agatha in right this second, “You’re breaking her heart.” 
“That shouldn’t be a problem, you like seeing her cry.” 
“When I’m the one responsible.” 
Agatha rolls her eyes. She maintains a carefully ambivalent expression. Rio knows better; knows, under all that forced emotion, that Agatha’s heart is waging against her head, warring over her selfish desire to keep every bit of power. 
Then, something shifts. Rio feels it. Agatha has made her choice and it isn’t you. And it ignites a rage in her chest unlike anything she’s felt in centuries. 
She snatches the dagger back from Agatha’s grasp and only just barely resists the urge to bury it in her chest. If she has to drag Agatha back to you kicking and screaming, she will. You would like that, wouldn’t you?
“I’ll kill you.” Rio vows, and means it. Agatha can’t run away from the two of you if her soul is Rio’s to keep. 
Agatha’s eyes flash with fear. Then, she grins around it, “If you can catch me.” 
Latin words roll off Agatha’s tongue faster than Rio can comprehend. She recognizes the words and what they mean, where they’ve come from. Rio reaches out with her magic for the Darkhold too late; it, and Agatha, have completely vanished from her awareness. 
When she returns to The Road and finds you pacing before the bower, she stops short. 
“Did you—is she dead?” You ask, worrying your lip. Though your eyes dart every which way, looking for whatever manifestation of Agatha you believe she’s brought you. 
“Sweetheart…” 
--
1937
“Do you think if I cut you open you would heal too fast for me to do any research?” 
Rio tilts her head, considering. She’s sprawled out on the plush couch inside the physical manifestation of your heart, toying with her knife, having a staring contest with the unblinking jar of eyes while you jot down thoughts into notebook number… well, she’s lost count. 
“Probably.” She answers, “I’m also not sure I have organs.” 
You pause, “How is that even possible?” 
“Magic, sweetheart.”
Leaning back, your mind begins to race; given how old she is, it would only make sense that the organs the body came with are gone, rotted away—but would the flesh not go with it? You massage your temples. Life magic is no easier to understand than Death magic. 
There’s only one way to test your hypothesis. You stand from your place at the table and cross to her, straddling her hips where she lay on the couch. 
“I want to see.” You say, holding out a hand. 
Rio hands over her dagger and sinks further into the couch, as if that is possible. She grins up at you with no shortage of delight. You do your best to tamp down on your own grin. 
The flesh beneath your hands is warm and smells of damp earth where you peel away her shirt. Her eyes darken with every inch of flesh revealed to you. Firm and unafraid, you press the tip of the dagger down against her sternum. The action earns you an exaggerated moan. 
You rip the dagger away, glaring, “Behave.” 
“Or what?” Rio taunts, tongue pressing against the inside of her cheek. 
“Or I stop letting you watch my dissections.” 
She tenses, “You wouldn’t.” 
“Wouldn’t I, beloved?” 
“Get on with it.” 
You lean down and steal a quick kiss. It melts away the darling little pout on her lips. 
When you press the dagger back down, the flesh bends, but doesn’t open. You tilt your head and press harder. Rio watches, unphased. There is absolutely no give to her flesh. It gets to a point where you’re pressing your entire body weight behind the dagger, but Rio only laughs, squirming as if the action tickles. 
You whine and sigh. The dagger is dropped unceremoniously onto her chest while you lean an elbow against the back of the couch, sinking somewhat into the cushion. 
“If you want live specimens, we can collect some.” She soothes. 
The idea isn’t intolerable, but you shake your head. 
“They scream too much.” 
“Anesthetic exists, sweetheart.” 
“I suppose that’s true.” 
You look away, tracing the walls and their offerings with your eyes. Upon them hang paintings of your own making; scenes of life, death, love, fear—mostly fear. 
The human condition fascinates you, always has. Of the emotions to study, fear is the hardest; it is always fleeting in your wake; your face is too kind, too trustworthy, wiping away any sense of the unease you seek to study. You stare at your paintings and feel only distaste, knowing they’re not quite right. 
You can’t claim to have always had such taste. No, a cultivation for the finer flavors of life and death takes time. You can pinpoint where the itch started, however; that day in your childhood village when a dying soul reached out to you—scarcely were you a day older than four—and found no assistance. 
How beautiful it was; grisly, messy, but beautiful. You did not flinch away. Rather, you found yourself drawn in, eager to see more. And being of a coven of healers, your desire was fulfilled. Death was yours before you knew her name. 
Looking down at her, she stares back, unashamed to be caught. The heart in your chest—which has felt so stagnant in recent years—warms toward something almost pure. 
Rio will one day claim your soul. This, you know, and accept; your soul belonged to her the second you watched that woman die. You fear the when. What becomes of you when she claims your soul? What if you have yet to conduct all the research you desire? There is so much still to learn and you know she’ll abandon it for the chance to keep you. 
You love her, but you’ll never forgive her the knowledge you’ll one day lose. The warmth in your chest doesn’t ebb. 
Her top is still splayed open from your attempt at dissection. A healthy amount of flesh is bared to your eyes. You trace one finger from her neck to the center of her chest and tap, just above where a heart should be. 
“When you come for me,” You say, “I want to hold your heart in my hand.” 
“You already do.” She utters. 
“Will you let me study it, then, when I’m but a soul?” 
“You can study whatever you wish as long as it leads to me.”
--
1989
Agatha dwells on mistakes, often. She just doesn’t allow them to distract from her purpose. She is ruthless, to her very core. 
She spends an embarrassing amount of time trying to open the damned door to The Road. One coven after another, all failures. There is an obscene beauty in claiming a reward for what would otherwise be failure on her part. 
Time passes, enemies made, promises broken. She shrugs them all off. Yet she can’t shake the feeling of your hands in her hair, on her face. The lingering whisper of your kisses haunts her. The Darkhold whispers to her, oftentimes in language she shouldn’t comprehend, and it offers her the solution, should she just be patient; 
The Scarlet Witch
--
2026
The power that floats before you is biting and all too familiar. 
It fights against your hold, twisting and writhing like a wild animal, desperate to return to its mistress. But you’re stronger for now. The Scarlet Witch threw this power into the ether in her attempt at playing Death, and now it is yours to hold until Agatha comes for it. 
Anger rubs against the heart in your chest like a cat. You lean into it, feeling your own power respond to subdue that which isn’t yours. 
Rio watches beside you. She runs her fingers through the purple electricity contained in your palms, laughing when it fights her. Lips press against your temple. 
“Not long now.” She assures you. 
You feel longing and fury in equal measure. 
“I want her soul, Rio.” You whisper. 
A small chuckle, low beside your ear. It sends shivers down your spine. Her hand grasps your chin and turns you to face her, her lips meeting your own. The kiss is soft. You melt into it. 
She pulls back, tone careful, “You didn’t walk The Road, sweetheart.” 
You have not earned what The Road promises to grant. 
--
2026
Agatha doesn’t expect the end of The Road to look like Agnes’ Westview home, nor does she expect to see Rio perched on the roof, leaning back, as if waiting. But every step closer to the front yard makes her more furious. 
She is owed her prize. 
Upon her first step in Agnes’ yard, the front door opens, and she is blasted with something so strong that it knocks her back to The Road, on her back. She groans. Yet, she feels more alive than she has in centuries. Her body shudders with its missing piece; her power curling up in her veins, pleased to be home. 
She sits up, wincing at the ache in her bones that continues despite the gift she’s received. Leaves stick to the back of her arms, little pieces having crunched beneath her weight and adhered to her skin. She does her best to brush them away while getting to her feet. 
Rio remains on the roof, grinning. 
There, on the porch of Agnes’ house, is you. All the glory of you. 
Agatha’s heart leaps in her chest despite the scowl on your face. To her, you haven’t aged a day; still the young, fresh-faced witch following at her heels, dizzy on knowledge and the thrumming power inside. Time has not erased the love she has—so great it threatens to bring her to her knees. 
“Dearest…” Agatha murmurs, taking a half-step forward. 
“You have your prize.” You sneer. 
Your heart aches, begging you to go to her; hasn’t it been centuries? But your pride holds you back. She left you here while she gallivanted around the world getting what she wanted. 
There’s a brief flash of hurt on Agatha’s face, before it morphs into a wicked grin. Her posture changes, too, to something more proud, as she slinks across the yard toward the porch. You resist the urge to take a step back. 
“No, I don’t.” She drawls, “Are you going to be a good pet and come home willingly, or do I have to put you on a leash?” 
Something inside you burns for her. You ache for her touch, for her to force you to do what she wants. It creeps through the cracks of your pride and turns it into something else. You stick out your chin. Agatha snickers. 
Magic pulses in your palms, pulling various items from around you to throw—not fast enough. Agatha has you kneeling with your hands bound in a blink. 
“That’s not very nice, dear. And after all I’ve done to get here.” 
You regain some of your fight, snarling, “You left me here.” 
Agatha hums. 
“Into the deal you stumbled your way into. I’m not the one who tied herself to The Road in a fit of pride.” 
“You were leaving me regardless. If I was going to be handed off, I was going to do it on my own terms.” 
“Did I specify a length of time in my proposal? Was there any explicit mention of how long She could have you before I came back?” Agatha asks, mean-spirited joy in her eyes upon watching the realization dawn in your own. All that time you spent agonizing… when you had shackled yourself, “Years lost because you wanted to be a self-righteous brat.” 
There’s a lilt to her voice that clues you in to everything you’d once seen instinctually; Agatha has been in just as much anguish as you have, left to walk the world alone. You see the pain in her eyes. Just like then, you try to get to her now, eager to fix it, to wipe it away. 
The binding around your arms keeps you stationary. You whine and pull against it. 
“Agatha,” You whine, “I’m sorry.” 
“You will be.” She says. Then she turns to your left, finger poised and accusing, “And you—you kept her away from me.” 
Rio shrugs, smiling, “I couldn’t just make it easy on you.” 
Agatha waves a hand and Rio is kneeling on the porch at your side, similarly bound. Yet where you look pained, she is delighted. 
“I’m sorry.” You repeat, “I didn’t mean to be bad.” 
“That doesn’t change that you were.” 
A cloud of purple smoke announces your arrival to the inner bedroom of Agnes’ house. It doesn’t look like what you’ve seen from Rio, though. Where Agnes had been bland and cookie-cutter, this is rich fabrics and deep wood. It is Agatha through and through. 
You and Rio kneel side-by-side at the foot of the bed, where Agatha perches. Her beautiful blue eyes don’t miss the slightest movement you make. She’s clad in a dark robe with snakes and flowers that has Rio leaning forward in interest. 
Agatha’s eyes lock on you, “You’re going to apologize. Properly.” 
“I’m sorry—” 
“With your tongue.” 
Leaning back on her forearms, Agatha spreads her legs, and you feel the desire in your body rush through you. It’s so strong you feel your head begin to pound. She’s pink and dripping and all you want is to do a good job for her. 
Yet, ever the brat, you lean forward and start with kissing her inner thighs. With every press of your lips to the delicate flesh you murmur an apology. She sighs. 
A hand weaves into your hair and yanks you back. Her eyes are dark. Her face is set in a punishing expression but you see the yearning in her that matches your own. She yanks again, lighter, and you moan. 
“What did I say?” She asks, before directing you where she wants you. 
Witches don’t subscribe to the idea of what a human would call heaven, but upon tasting her, you think you could get behind it. She’s warm and sweet. You flatten your tongue and drag it along her slit just to collect a better taste of her. Agatha’s hand presses you in harder as she moans. 
Without the use of your fingers, you have to use your tongue well. You stiffen it as much as you’re able when you delve inside her and hope it is even slightly close enough to satisfy. The pathetic sounds reaching your ears—breathy moans, sweet whimpers—tell you that you’re doing fine. 
“Good girl.” Agatha breathes out. 
You clench around nothing. You’re sure that you’ve ruined your undergarments thoroughly from how wet you are. 
Eager for more praise, you direct your attention to that small, fleshy bundle of nerves begging for your attention. You swirl your tongue around her clit and her hips stutter, before they grind against your face with a renewed sense of purpose. You smile. 
“Yes—there, more—” Agatha stutters. 
You were born to do as she commands. All you want is to make her happy. Following her directions is as easy as breathing. 
The tip of your tongue alternates between circling her clit and flicking it. Every flick earns you a high-pitched oh! and a firm grinding of her hips. Her thighs are tightening around your head, but she’s putting up a good fight. Her legs quiver. 
“There—there—I’m going to—” Is all the warning you’re given before Agatha shrieks and comes while rutting against your mouth. You lap up every drop of her wetness you can get with glee. You did this, you brought her this pleasure; the knowledge sends a happy jolt through you. 
Agatha’s grip on your hair releases and you lean back, taking in big lungfuls of air. She stares down at you with a thoroughly fucked-out expression that makes you preen. 
Then she leans over and pulls your lips to hers. She moans against the taste of herself on your lips, tongue collecting the flavor from your lips. You throw every ounce of love you possess into the kiss—willing her to understand the longing you felt, the thousands of hours you spent watching her lifeline just to make sure she was safe. 
“Good girl.” Agatha murmurs, pressing little kisses all over your face, “My good girl.” 
“All yours.” You agree.
She laughs, low and smooth, “That’s not quite the truth, is it?” 
The two of you turn to regard Rio in unison. She remains in the position Agatha left her in, kneeling and bound. You admire her restraint at not breaking the bindings. Though you guess Agatha wouldn’t take kindly to that. 
Rio’s eyes are black with desire. They dart between the two of you. She takes in the wetness on your face, licking her lips. You can feel her eagerness for a taste. 
She’s writhing a bit in her restraints, pressing her thighs together and wiggling, looking for any source of friction she can find. Agatha tuts and she stops. If it were up to you, your face would be between her thighs, ears enjoying every sound she makes. But it isn’t up to you. 
Agatha scoots back up the bed until she’s sitting against the headboard. That’s when you feel the restraints on you fall away. She beckons the two of you with a finger and you both follow the command, eager. 
“Come here.” Agatha urges you specifically, patting her bare thigh. 
You obey and straddle the appendage, shuddering against the feeling against your throbbing clit. There’s a split second where you think of just grinding down and taking what you want. But you don’t—you have to be good. 
Words pass between Agatha and Rio during your silent struggle. When you look, she’s lying along the length of the bed, legs bunched up and spread wide next to you. 
“What am I going to do with you both?” Agatha muses. 
“Fuck us?” Rio drawls. 
“You, my good girl,” Agatha says, ignoring Rio as she soothes a hand through your hair, “are going to use me until you come. And my bad girl isn’t going to come until I tell her she can.” 
You shudder, whimpering, while Rio whines next to you. Agatha kisses your forehead while dealing a slap to Rio that makes her groan. 
A hand settles onto your hip and begins to guide you through the motions of grinding against her. The friction is difficult to attain with how wet you are, but you do what you can, crying out everytime the pressure is just enough to make your toes curl. It won’t take long for you to finish. 
Your face is buried in Agatha’s neck, where you press loving little kisses to the flesh. As a result you cannot see Rio. But you hear her; every movement of Agatha’s deft fingers through her wetness, every growl and keen of desire, every slap of Agatha’s hand when she gets a bit too eager. She won’t last long either, from what you can tell. 
The image of Rio and Agatha in your mind is enough to push you toward that delightful little taste of death. Your hands tighten over Agatha’s shoulders. 
“Agatha, can I—please?” You plead. 
“So obedient, asking for permission even when you don’t need to.” Agatha praises, “Go on, darling.” 
With her hand guiding you and her voice in your ear, you come so hard you see stars behind your eyes. You’re not sure what sound leaves your lips, only that your throat aches afterward. 
You tune back in to hear a brutal slap of flesh on flesh. Rio snarls. 
“Beg.” Agatha’s voice commands in your ear, though you know it isn’t for you. 
Rio stays stubbornly silent. 
The sounds of Agatha toying with her come to an abrupt halt. You don’t have the strength to lift your face from your refuge, but you can imagine that stubborn, yet pleading look in Rio’s face; wanting so deeply but not willing to give up what is required. 
“If you don’t want to behave, she can have your pleasure instead.” 
“No! I’ll—” You hear Rio grit her teeth, “Please, Agatha. Please let me come.” 
Agatha laughs. 
“That wasn’t so hard, was it?” She coos. 
Seconds—or maybe minutes—before Rio wails. There’s something primordial and animalistic wrapped inside it, almost like a growl. It makes you shudder. Then all that's left in the room is the sound of breathing. 
You spent so long aching for something just like this. It’s beautiful, though you know it can’t stay; all three of you are far too ambitious to live a domestic existence, but it’s nice for now. You missed them. The heart in your chest feels complete again, filling to the brim with affection. 
Tears seep from your eyes and you pull back before Agatha can question it, though you do feel her stiffen. You press kisses to her neck, her sternum, the inside of her wrist; then you grab Rio’s hand and press kisses to every pad of her fingers. 
With every kiss, you murmur I love you. 
--
2027 
“If you don’t sedate him at least a little bit, his heart is going to give out.” 
Rio’s sudden voice next to you isn’t surprising. You’ve grown used to her coming and going—Death waits for no one, after all. Her lips press to your cheek and you accept the affection. 
“She did sedate him. Three times.” Agatha’s voice calls from the next room. 
“Oh, I see.” 
Rio leans over to examine the man on your table with no shortage of interest. He stares back, eyes impossibly wide. His heart rate picks up. 
“What is he?” She asks. 
“Not sure. Rapid regeneration, odd capabilities. Mutant, maybe?” 
“He’s certainly not a witch.” Agatha’s leaning against the doorway now, arms folded over her chest, “Though it is taking a fair amount of magic to keep him subdued.” 
“He’s no match for you, naturally.” You compliment. 
Both Agatha and Rio grin at that. The former comes up behind you, hands settling on your hips. Her lips press against your neck. Then, she leans over and steals a kiss from Rio, who is all too eager to meet her halfway.
You smile. The heart in your chest threatens to burst—not unlike the specimen in front of you. 
“Well, aren’t you sweet today.” Agatha comments. 
“Aiming for a reward?” Rio asks. 
Rio kisses her way up the flash of skin available to her eyes, making you sigh, leaning back into Agatha’s hands. Then Agatha’s lips fasten to the other side of your neck. Your head falls back and you laugh. Then you moan. 
The experiment on your table is forgotten as you’re dragged into the next room and bent into all sorts of shapes you couldn’t even imagine on your own. Oh, well; if he dies before the six hour mark, you can always just find another one. The same cannot be said of the witches bracketing you. And oh, how beautiful that is. 
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